Using pop music in films is a great way to establish mood (either on top of or instead of the film's instrumental score) and, for those set in a specific point in time, an easy way to help establish the period. Releasing these for sale to has proven to be a rather handy moneymaking venture, since soundtrack albums sometimes sell very well indeed – The Bodyguard, Dirty Dancing and Saturday Night Fever are in the top ten best-selling albums of all time.
And whether the songs are specifically written for the film or not they often provide very interesting combinations that you wouldn't otherwise find together in one place. I've bought quite a few over the years, and, after some thought, I came up with four albums that I consider my favourites – as well as some notable mentions.
Tuesday, October 18, 2011
It's been, as the saying goes, an amazing ride. I came straight from appearing in Macbeth (which I wrote about here) to stage managing this production – almost literally; rehearsals for The Pillowman started before our run finished, and the afternoon following our final night cast party I was back at the Little Theatre for a rehearsal.
Sunday, October 2, 2011
"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."
I've just finished Pride and Prejudice, and I'm very surprised by just how much I enjoyed it. I'd only read one other of Austen's works prior to this: Emma, which I felt I needed to read after being cast1 as Frank Churchill in a stage adaptation of that story back in 2003. While I didn't hate it, I didn't think it anything special.